Showing posts with label Faisal Tehrani. Show all posts
Showing posts with label Faisal Tehrani. Show all posts

Monday, December 5

Kucc Reviews : CinTa HaRi HaRi RusuHan...


Tajuk Buku : Cinta Hari-Hari Rusuhan
Penulis : Faisal Tehrani
Penerbit : Creative Enterprise
Harga : 15.90
Cetakan Pertama : 2000
Genre : Historical Fiction
Bintang : 5

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"Hidup memang bukan mudah dan kerana payahnyalah kehidupan itu, aku dan engkau akan menjadi lebih bermakna sebagai manusia.."


Kata Kucc

Memetik kata penulis didalam sebuah laman blog "..Saya memang tak redha dengan kulit buku itu sampai mati." Tersenyum juga membaca kata-kata beliau. Hakikatnya bukanlah kulit buku ini yang akan saya perkatakan biarpun tercuit juga rasa dihati bila melihat aksi dikulit yang jelas tidak selari dengan personaliti sang penukil cerita didalamnya. Nak disalahkan sang pelukis pun tidak boleh juga. Mungkin dia cuma melakarkan apa yang dimahukan oleh sang penerbit.


Novel ini dikatakan didasari dari cerpen tersohor tulisan penulis yang dihasilkan pada tahun 1996. Cerpen berjudul "Api KL Belum Padam" yang disiarkan didalam Mingguan Malaysia bertarikh 9 Disember 1996 yang juga telah diangkat sebagai pemenang hadiah utama kategori cerpen bagi Hadiah Sastera Utusan Melayu-Public Bank 1996. Kisah cinta watak utama; Basri dan Tengku Valizah (Val) yang diabadikan didalam cerpen ini dikembangkan perjalanan kisahnya didalam novel ini.


Cinta Hari-hari Rusuhan (CHHR) mengangkat peristiwa gerakan pelajar era 70-an di Institusi pengajian tinggi yang berpusat kumpulan utamanya di Universiti Malaya. Perjalanan cerita menelusuri perjuangan, aturan strategi, dokumentasi tragedi juga cetusan bibit-bibit cinta didalam kegawatan rusuhan yang mengheret sebuah catatan sejarah luka yang berpanjangan melangkaui dua dekad. Basri, Tengku Valizah juga Basariah adalah catatan duka sebuah sejarah cinta dua dekad yang tercalar.


Bahasa penulis usah dipersoalkan. Hebat dimanupulasi hingga menyerlahkan kekuatannnya dengan gayanya yang tersendiri. Lenggok bahasa jelas memperlihatkan jati diri penulis sendiri yang menyala-nyala semangatnya. Plot cerita biarpun tidak mengikut arus biasa yakni melompat dari satu daerah latar masa ke dearah masa yang lain, anehnya pembaca tidak hilang dalam lohongan perbezaan waktu. Jalan cerita jelas tidak kompleks namun berjaya dijalin kemas signifikasinya yang memperlihatkan kesinambungan fragmen cerita yang berkait rapat antara satu sama lain. Plot dua zaman ini hebat ditangani penulis sehinggakan kita alpa seketika kala mengundur masa menjejak langkah Basri dan Tengku Valizah dizaman manis mereka...zaman semangat anak muda yang berjuang demi memperjuangkan nasib golongan miskin yang dinafikan haknya atas tiket pembangunan.


Menyusuri perwatakan Basri yang menunjangi naskhah ini selaku teraju utama, tidak dapat tidak kita bagaikan melihat diri seorang Hishamuddin Rais pada profil Basri. Sebagaimana aktifnya Basri didalam gerakan pelajar, begitu juga Hishamuddin. Siapa yang tidak kenal tokoh pelajar paling terkenal di tahun 70-an ini. Lantang suaranya masih terngiang-ngiang pada yang pernah hidup sezaman dengannya. Hebat pengaruhnya digeruni pemerintah. Penglibatan Basri didalam beberapa siri perjuangan pelajar membela nasib rakyat, pernah ditahan reman hinggalah kepada catatan penting sejarah tanahair yakni demonstrasi besar-besaran golongan pelajar yang bangkit membela golongan petani-petani miskin di Baling yang membawa kepada tangkapan besar-besaran oleh kepimpinan kerajaan ketika itu. Tindakan yang menyebabkan beliau terpaksa bertindak melarikan diri ke luar negara demi mempertahankan haknya sebagai manusia bebas persis sekali seperti yang terjadi pada Hishamuddin. Seperti Basri yang lama menetap ke tanah ratu sebelum kembali ke tanahair, tokoh pelajar ini juga begitu. Kedua-dua juga meminati muzik. Mungkinkah Basri itu Hishamuddin Rais?..


CHHR kisah perjuangan. Perjuangan diri watak-watak utama yang menerajui naskhah. Melankolik naskhah ini banyak disumbangkan oleh imbasan kembali catatan-catatan duka Basri dan kekasihnya Tengku Valizah. Dua hati, dua jiwa yang terpisah dan dipisahkan akibat desakan dan tuntutan keadaan semasa yang begitu zalim. Yang pastinya kisah Basri penuh buih-buih kepiluan yang menyentuh perasaan. Siksa dan derita yang ditanggung Tengku Valizah selama dua dekad meruntun jiwa. Namun atas semua lipatan sejarah pilu kedua-dua insan malang ini yang terbongkar ditangan Basariah, pengorbanan si manis ini paling luhur...paling istimewa. Ketiga-tiganya sama...menemui cinta di kala hari-hari rusuhan.


Meminjam sebaris kata-kata Hishamuddin Rais...hanya anak muda sahaja yang dapat mengubah dunia kerana dunia akhirnya kepunyaan anak-anak muda. Bacalah naskhah hebat penulis ini untuk menyusuri rakaman hari-hari rusuhan di alam mahasiswa yang tak mungkin akan berulang sampai bila-bila. Lihat dan tataplah semangat anak-anak muda yang jitu semangat kental jiwa demi sebuah perjuangan. Demi sebuah keadilan.

Sunday, February 20

Terkini daripada PTS

Tajuk : Blues Amni : Oh Kerja
oleh Rose Harissa
Harga: RM 17.00 / RM 19.00
ISBN-13: 978-967-5783-63-0
Tarikh Terbit: 22 Feb 2011


Menjadi pereka besi memang membuatkan Amni sakit jantung! Gaji tidak seberapa sehingga Amni selalu berangan-angan mahu berhenti kerja

akibat rasa sengsara.

Tetapi itu belum seberapa! Mari tambahkan kesengsaraan Amni dengan:

*Mr. Phua- Bos yang suka mengarah-arah dan marah-marah melulu serta mata duitan.

*Mun Heng- Kerani yang berhenti kerja secara mendadak. Ms. Liew dan Danny jurujual yang sering lepas tangan. Miss Elaine kerani akaun baru

yang pentingkan diri sendiri.

*Adam (merangkap anak Tan Sri)- Arkitek muda pemilik Adam J. Associates yang agak pongah serta banyak kerenah.

Di sela-sela kesibukannya merancang rekaan pesanan klien daripada golongan orang kaya melayani klien yang heboh dan cerewet Amni yang

sering diminta bos supaya melawat tapak projek bertemu klien secara langsung!

Semua itu membuatkan Amni sengsara berganda-ganda!

Akhirnya ada sesuatu yang dapat menghapuskan semua kesengsaaan dalam pekerjaan yang dialami Amni.

Tajuk : Sebongkah Batu di Kuala Berang
oleh Faisal Tehrani
Harga: RM 16.50 / RM 18.50
ISBN-13: 978-967-5783-55-5
Tarikh Terbit: 4 Mar 2011

Kisah ini bermula di senuah institusi yang dinamakan Akademi Seni Islam. Sekumpulan pelajar tahun akhir perlu menyiapkan tugasan terakhir

dengan cemerlang, iaitu dokumentari drama yang mengkaji kedatangan Islam ke Tanah Melayu. Kisah kedatangan Islam yang dikaji dengan secara

terperinci itu dialihkan ke dokumentari drama dengan tuntutan seni yang tinggi. Alur ceritanya mula bergolak dengan sikap pelakon yang

bermasalah sehingga dokumentari itu gagal memenuhi tarikh akhir. Dalam tuntutan-tuntutan yang semakin mendesak, Faisal Tehrani memberikan

sebuah penyudah yang tidak disangka.
Tajuk : Fatimah Fatty
oleh E-man Dhani
Harga: RM 16.50 / RM 18.50
ISBN-13: 978-983-3357-15-4
Tarikh Terbit: 20 Feb 2011
Jumlah Muka Surat : 320

Salahkah saya gemuk?

Tidak layakkah orang berbadan gemuk, gebu dan gempal berjaya? Tidak adil bukan seseorang itu dinilai dengan rupa fizikalnya?

Saya Fatimah.Saya Fatimah yang berbadan gemuk namun bercita-cita tinggi bagi berjaya.

Saya mahu menjadi seorang jurufoto yang berjaya seperti Annie Leibovitz dan saya juga mahu kurus!

Ya.

K.U.R.U.S

Kurus.

Dan, saya yakin mampu mencapainya!

Tajuk : Cinta Di Hujung Sejadah
oleh Asma Nadia
Harga: RM 18.00 / RM 20.00
ISBN-13: 978-983-3892-95-2
Tarikh Terbit: 15 Feb 2011

DIA BERSYUKUR. Allah mengabulkan doanya. Mengizinkan dia menjejaki tanah suci. Dan begitulah juga dengan perjalanan-perjalanan lain ketika

menyusuri jejak nabi, seperti di Masjidil Haram. Ketika melihat Kaabah, bangunan hitam persegi yang wangi dan memancarkan wibawa itu, air

matanya tidak berhenti mengalir.

***

Namanya Makky Matahari Muhammad dan Cinta menyimpan nama itu dengan baik di kepalanya. Bukan kerana salam yang diucapkan lelaki itu kali

pertama mereka bertemu. Akan tetapi kerana kehadirannya membawa pelangi dalam hidup Cinta.

Belasan tahun hidup sebagai anak yatim, Cinta langsung tidak pernah melihat wajah ibu kandungnya. Ayahnya melenyapkan setiap jejak wanita

yang Cinta kasihi itu dengan sempurna. Tatkala ayahnya menikah dengan Mama Alia dan membawa dua saudara tiri tinggal bersama, Cinta

semakin tersisih.
Tajuk : Kuntum Cinta di Taman Syurga
Pebulis : Thoyba Mursyidah
Harga: RM 17 / RM 19
ISBN-13: 978-967-5783-54-8
Tarikh Terbit: 11 Feb 2011
Jumlah Muka Surat : 304


Ingat sahaja namanya, Fidae'i Al Humaidi. Seorang lelaki yang teguh hatinya. Sudah ditakdirkan Tuhan dia berada di kampus yang kelam sinar

Islamnya, dikuasai golongan yang cuai dalam beragama. Dia mengerti kewajibannya membawa Islam kembali pada tempatnya. Namun dia juga

sangat mengerti, ini bukan kerja sendiri-sendiri dan bersama-sama Abdillah mereka bersepakat. Amir Hamizan pun tiba menghulurkan tangan.

Akhirnya Harliana, ikut mahu menawarkan keikhlasan. Bukanlah perjuangan tanpa adanya cabaran. Pada saat mereka mara ke lorong yang gelap,

sudah ada fitnah yang sedia menanti di sebalik selekoh dan mereka pun jatuh. Mampukah mereka bangkit dan bagaimana mereka mahu bangkit?

Kepada Allah jugalah mereka memohon harap.

Tajuk : Hijab Cinta
oleh S. Rafidah H. Basri
Harga: RM 21.50 / RM 24.50
ISBN-13: 978-967-5783-51-7
Tarikh Terbit: 3 Feb 2011
Jumlah Muka Surat : 560


Benar apa yang diperkatakan, jodoh itu ketentuan Tuhan. Kadangkala hadir tanpa diduga. Jika rela menerima jodoh yang hadir, mengapa harus

diri terkejar-kejar menggapai nikmat kebahagiaan?

Beginilah gambaran perkahwinan Nur Aisya Sufiah yang penuh dengan kemelut jiwa bagi mencari kebahagiaan. Dia cuba menerima Zakri sebagai

suami. Walaupun tiada lafaz cinta yang terungkap di bibir Zakri, tetapi tiada pula hamburan caci nista. Aisya cuba menidakkan kerana

keteguhan cintanya kepada Tuhan yang Esa. Pergolakan jiwa Aisyah terus bergelombang apabila Nadia hadir menyemai kembali benih cinta

bersama Zakri. Masih adakah kasih sayang Aisya bagi suaminya selepas hatinya dihiris bagai sembilu walaupun ketika itu Zakri hampir

membuka hijab cinta dalam dirinya.
Tajuk : Sekiranya Aku menjadi Novelis
Penulis : Noorfadzillah Omar
Harga: RM 17.90 / RM 19.90
ISBN-13: 978-967-5783-64-7
Tarikh Terbit: 28 Feb 2011
Jumlah Muka Surat : 320


Semangatnya tidak pernah pudar walaupun sebelum ini idea yang dinantikan tidak kunjung tiba. Namun, sekali sahaja dia mengetik membina

ayat, bagai air mengalir deras tidak mahu berhenti.

Benar kata Serina Sahlan, menulislah dengan penuh semangat dan ketulusan. Paling penting jangan menyerah kalah andai menemui kegagalan dan

ketandusan idea. Seorang penulis perlu menentang cabaran itu.

Hati Aida berbunga riang. Kegembiraannya bagai sekawan kupu-kupu terbang di taman bunga. Riak wajahnya tidak pernah lekang daripada

senyuman. Masakan tidak, debaran terus bertamu menunggu detik penerbitan novel akan tiba.




Thursday, July 31

Writing for change



by Bissme S.
The Sun July 31'08

Faisal Tehrani, 34, is a rising star in the literature scene. This novelist has won prizes and awards, including the prestigious Anugerah Seni Negara in 2006. His kind critics predict this talented writer, whose real name is Mohd Faizal Musa, is a national laureate in the making. Others say his writings are Islamic extremism, anti-West and are ultra-nationalist. He speaks frankly to Bissme S. about his controversial image, early days as a writer of erotic literature and the future.

Tell me your start as a writer.

I became a writer when I was 16. Dewan Bahasa dan Pustaka (DBP) had this programme Minggu Penulis Remaja. They pulled out a few potential writers from different schools and started giving us writing lessons.

Did you always want to be a writer?

When I was young, I wanted to be a writer for the wrong reasons. I wanted to show off to my friends and tell them: ‘I can write ... what can you do?’ I was also earning good pocket money. I was the first one to have a handphone when I was in university. It was more of an ego thing, a glamour thing, a money thing.

When I turned 22, I changed. I wanted to became a responsible writer. I wanted my writing to change society for the better. Writers should not only write stories, but be philosophers as well. They should offer solutions in society.

What inspired you to become a responsible writer?

I met Pak Samad (A. Samad Said, a national Laureate) and Shahnon Ahmad (another national Laureate who wrote the controversial Shit which is a sharp criticism of the political climate in 1999). These two writers influenced me in many ways. Pak Samad gave me many books from international writers ... writers from countries that are oppressed. I was so inspired by Shahnon’s fire and courage. That changed my perception, my principles. I also went to Kerpan, Kedah. What I witnessed there, also changed me.

What happened in Kerpan?

I saw a group of farmers whose land had been confiscated by the government for a mega project (prawn breeding). The villagers told me stories different from what was reported in the media. They were oppressed. It was not a fair negotiation.

Their story actually inspired me to write my first work of fiction Perempuan Politikus Melayu (The story loosely centres on a rich Datuk who confiscated some farmers’ land without mercy).

Because of the title of the book and because it was published during reformasi (when Datuk Seri Anwar Ibrahim was sacked as deputy prime minister), everyone quickly related the book to (Datin Seri Dr) Wan Azizah (Anwar’s wife who headed Parti Keadilan Rakyat after Anwar was sent to prison).

Then, my second novel Cinta Hari-Hari Rusuhan came out. In it I touched on the student movement and the Baling demonstration. Once again people said I was talking about Anwar Ibrahim. But both of these novels have nothing to do with Anwar Ibrahim or his wife, Wan Azizah. They are about human rights. These books are about oppression.


What is your personal view on Anwar Ibrahim?

I met him only once. That was after he was released from prison. As a person, I like him. He is seems to be a nice guy. But A. Samad and Shahnon Ahmad always tell me, ‘as a writer, you have to analyse people ... you have to analyse issues ... if you want to bring them in your pages.’ I started to analyse Anwar and I found contradictions. That is all I will say about him.

Some people think Anwar will make a great prime minister. What do you think?

That is subjective matter. Why should Anwar be the prime minister? Why do we put the burden on him only? We are not lacking leaders, are we? Why don’t we give the prime minister’s post to someone from the younger generation? There is a younger generation in PKR, PAS, DAP and Umno, with new ideas. They should be given a chance.

What about Nurul Izzah (Anwar’s daughter)? She is refreshing. She must have some new ideas. PAS has a few fresh faces who are liberal and sophisticated. DAP’s Lim Guan Eng seems to be cool. He even took pictures with Ning Baizura (singer) and flew in economy class.

The older guard ... they always have had some dramatic episodes in their past and these could easily become ... an issue. We should give the younger generation a chance.

Look at the Russian president. He is very young. (Dmitry Anatolyevich Medvedev. Age: 43) Look at America ... they might elect (Barrack) Obama. He is young. (Age: 47). The whole world is changing for a perspective from the young and for new ideas. I think Malaysia should walk a similar road.

You feel a writer must write to change the world for the better. But today, some people, including writers, have lost the belief that the power of words can change the world for the better.

When I was a teenager and when things were not right, my mum asked me to write letters to the newspapers to complain about stray dogs roaming freely, garbage not being cleared regularly, etc. But then things began to change slowly. The stray dogs were caught, the rubbish got cleared regularly and changes began to take place slowly. The power of words did change the situation. I also believed at that time that all "that letter writing to newspapers" spurred my interest in writing. (laughs)

Why do you prominently feature Islam in your novels?

One of the reasons is because I find there is a vacuum. Not many writers write about this and there are so many demands. When I meet readers during book festivals and fairs, they always encourage me to write on such subjects. Islam is facing many challenges now and I want to offer my views on the religion.

Some people say that based on your writing you are an Islamic extremist. Are you?

People who do not read my stuff will jump to that conclusion. Just because I write about Islam, people think I am an extremist. I feel I write more about human rights and oppression than Islam. Human rights is part of religion.

When the film Fitnah was shown, people wanted Malaysians to boycott products from Holland. I opposed the idea. I believed such boycott would get us no where. In fact, I said let us Muhasabah (look within ourselves) and ask why this film-maker (Dutch parliamentarian Geert Wilders) created that film.

Why didn’t you support the boycott?

Personally, I felt Fitnah was depicting Osama bin Laden, the Al Qaeda leader. It is not me. I do not interpret the Quran like that .That guy (Osama) interpreted the Quran like that. Extremism is an act by certain groups. It is not related to Islam at all.

Fitnah is different from Salman Rushdie’s The Satanic Verses. The Satanic Verses was written deliberately by Salman Rushdie to not only insult Islam, but also the British people and their former prime minister Margaret Thatcher.

Geert Wilders wrote Fitnah because he is confused. Let us have a discussion about this and find ways to solve this.

There must be other reasons why people jump to the conclusion that you are an extremist.

People also jumped to that conclusion again when I criticised Yasmin Ahmad’s film, Gubra. (The story touches on a bilal and his wife’s close relationship with their neighbours who happen to be prostitutes). I just didn’t like the film. I think the film is superficial.

Did you have a problem with the scene where the bilal is touching the dog?

No, not at all . In fact I did not mention it in my review. But I do like Yasmin’s Mukhsin because it is more sincere. People did not read my reviews on Mukhsin. They just read my review on Gubra and when it was out, some of my friends avoided me. They isolated me. They put me aside.

How did you feel about being isolated? Did you wish that you didn’t write anything about Gubra or that you didn’t write too much on Islam?

I cannot stop my friends if they want to avoid me. I wish I had written more about Gubra. I really do not like that film (laughs) and I cannot avoid myself from writing on Islam ... it is just inside me. I majored in Islamic studies in the university.

What other misconceptions do people have about Faisal Tehrani?

They also say I am an ultra nationalist. In one of my articles, I said the official language is Malay and that the Malay language should be approved as the language for films, art and literary works. So people started calling me an ultra nationalist. I also opposed the idea of science and mathematics being taught in English. They have been taught in the Malay language since the 1960s, so I asked why are we changing?

Just because Tun Mahathir (former prime minister Dr Mahathir Mohamad) thought that a few students cannot speak English he felt we should teach Science and Mathematics in English. How can you learn English grammar from Mathematics and Science? It doesn’t make sense at all.


There is an assumption that you are anti-Westerner. In your book 1511H Kombat you had Muslim soldiers take over the White House.

People in Germany thought this book was cool and wanted to translate it. (The book is being used as text in one of the universities in Germany). They say ‘we dream this will happen to the White House’. Some European countries hate America. It is not about the East hating the West or the West hating East. It is just about what one particular government is doing.

America has supported a lot of vicious stuff around the world. It is not just what they did in Iraq. It is also about what they did in Vietnam, Korea. Have we forgotten Hiroshima and Nagasaki? Now I am sounding like Iran. (laughs)

Why am I depicted as a West basher? There are other writers who did the same thing. Just because I wrote one novel where Muslims took over the White House, people are calling me names, but my book fulfilled the fantasy of many young readers. It became one of my most celebrated novels from which I am still earning royalty.

A certain Western power is oppressing many countries, so I speak against it.

One day, when China becomes a super power and starts oppressing other countries, I will write about it. Then people might say I am anti-Chinese. But I am not. Like I said earlier, I write about human rights, I write about oppression.


In your early years, you wrote some erotic short stories. Are you ashamed of those works?

I will never deny that I wrote them. Those works carry my name. Some young readers have told me that they find my early works are very sexual, erotic and help to spice up their imaginative minds for something (laughs).

A part of me feels very embarrassed, but I also believe that if I didn’t write those stories, I would not have been able to arrive at this point. I might not have become a writer at all.

Do you look down on writers who write erotic stuff?

Seriously, I cannot say I look down on them. Some of them are really brilliant writers ... even better than me.

But I do not write such stuff any more. It doesn’t interest me.

Personally, I avoid discussing principles of writing or other writers. My belief is that if what we write leads to a society becoming irresponsible, then it is not good. A writer should promote good things … changes that we can believe in.

Some people say the literature scene is going through a bleak period.

I see a bright future for serious literature. The Malay market is flooded with romance and thriller novels.

People are bored and tired of such novels. They are looking for something different to read. Serious literature is slowly gaining a foothold, especially with those who have become frustrated by cheap thrillers.

Is Dewan Bahasa dan Pustaka doing enough to promote serious literature?

I am a product of Dewan Bahasa. If I say they do nothing, it is not fair. But when you are a government agency, you have bureaucracy, you have too many rules, you have too much red tape. They should think like an artist, they should think creatively.

What changes would you like to see taking place in the literary scene?

I’d like to see our works being translated not only into English but also other languages. But we are not doing that. I will also like to see the works of local writers who write in other languages being translated into Malay. We should be translating Kee Thuan Chye and K.S. Maniam’s works into Malay.

Is the government playing its role effectively to promote serious literature?

Saying the government is not promoting literature at all is unfair. Compared to Indonesia, we are better off. Their government doesn’t do anything at all.

The Malaysian government has been helpful in many ways. But we are moving to Vision 2020. We want to be known as a first world country. We should be doing more. We have to put more effort into literature.

Would you see any of your novels made into films?

Yes, Tunggu Teduh Dulu may be made into a film. It is one novel where I do not deal with heavy issues. It is about two women struggling to plant papayas. The theme is suited to the Malaysian audience.

Do you have any film-maker in mind?

If it is Yasmin, I will be willing. She is a good movie-maker. I am willing to sit down with her and discuss the project with her. If others, I might have some doubts. Most of our films are illogical.

One of my short stories Cahaya Pada Jiwa (Light On Soul) has been adapted into a TV drama. It is about corruption.

The director changed the contents so much till it became illogical. I can understand when you adapt literature to screen, there will be changes. But to make a logical short story into an illogical and complicated TV drama is really damaging.

I heard that you are dabbling in film-making. Is that true?

Yes. I am interested in making short films. I have made one that is loosely based on the recent election and it is called Bulan Mengambang Ke Langit KL. (In it, he looks at how the opposing party was trying to get its message across without the help of the mainstream media).

I am also planning to make a short film called Air (Water). There are a lot of proverbs about water and I want to translate them into images on the screen.

Wednesday, July 2

Manikam Kalbu

NAMA BUKU : MANIKAM KALBU
PENULIS : FAISAL TEHRANI
PENERBIT : DEWAN BAHASA DAN PUSTAKA
HARGA : RM25.00
HALAMAN : 364 MUKA SURAT
GENRE : NOVEL REMAJA

*****
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'sains itu hanyalah proses sedang seni itu hasilnya'

Apa Kata Saya…

Manikam Kalbu, karya sasterawan muda prolifik dengan gelaran pena Faisal Tehrani yang begitu gah namanya dipersada kesusasteraan tanahair malah beliau juga dikenali diluar sempadan negara kita. Naskhah indah ini adalah pemenang utama Sayembara Mengarang Sempena Perayaan Jubli Emas DBP 2007.(kalau salah sila maklumkan ye..)

Terus terang saya katakan inilah karya pertama beliau yang saya baca, itupun hasil pujukan yang berintikan desakan seorang teman yang menganggap ia sebuah naskhah hebat yang tidak harus lepas dari dibaca dan dihayati kisahnya. Bukan kerna tidak menghargai karya-karya beliau, malah saya akui kehebatan karya-karya beliau yang duduk pada kelasnya yang tersendiri,cuma kekuatan diri saya untuk mendampingi karya-karya hebat beliau begitu “menakutkan”sekali…gusar tidak mampu memahami dan menghayati naskhah berkenaan…namun naskhah indah bernama Manikam Kalbu telah berjaya menukar persepsi saya tentang siapa itu Faisal Tehrani.

Karya ini menggarap tema kecintaan yang mendalam seorang remaja bernama Ziryab Za’im terhadap dunia fesyen. Kecintaan itu bertitik tolak dari pengaruh yang kuat dari neneknya yang juga bekas jurubusana istana yang cukup terkenal suatu masa dahulu namun tiada siapa yang tahu sejarah keterlibatan nan gemilang itu yang hanya terbongkar selepas pemergiaannya ke alam kekal.

Kecintaan Ziryab yang begitu mendalam sekali terhadap dunia fesyen dan busana melayu berjaya dipenakan penulis dengan membawa pembaca merasai semangat dan kesungguhan anak muda ini mendalami serta memahirkan ilmu berkenaan dalam dirinya walau sepayah mana dugaan yang terpaksa ditempuh diharungi jua olehnya. Sebagai melengkapkan perwatakan anak muda ini, penulis turut menyelitkan gelombang perasaan anak muda yang ada kala keliru dengan rasa yang terbit dalam jiwa bila kala diberi perhatian oleh insan bernama perempuan. Begitulah juga Ziryab, dalam diam dia juga menyimpan rasa pada gurunya sendiri, Cikgu Natasha yang punya tarikan pesona yang tidak sedikit.

Berlatarkan dua zaman yang dihubungkan oleh seekor kucing, gaya bahasa yang dibawakan juga mewakili dua zaman yang berbeda namun indahnya tetap mempesona bersesuaian dengan situasi latar cerita. Di dalam menyampaikan wadah cerita, penulis mengajak pembaca menyusuri dan meneroka dunia sejarah dan kegemilangan busana melayu zaman silam. Makna dan falsafah Melayu tercermin pada tiap inci busana yang dikenakan di tubuh.Menerusi watak utama, Manikam Kalbu, seorang jurubusana terkenal di zaman pemerintahan Sultan Muhamad Shah dari Kesultanan Melayu Melaka penulis mengajak pembaca menyusuri perjalanan si jurubusana terbilang ini menggali semua ketakjuban dalam kesenian busana melayu dan mengangkatnya ke tahap yang sewajarnya di dalam masyarakat.

Sebuah novel yang diisi unsur humor berlatarkan dua zaman yang berbeda tapi disatukan oleh suatu cerita nan sama tujuannya. Gabungan persembahan antara unsur tema, plot, watak, perwatakan, latar juga gaya bahasa menjadikan naskhah ini sebuah novel remaja yang cukup padat isinya tapi sangat indah dan menarik untuk dibaca.

Mari kita hayati persoalan ini:

“…. Mengapa air laut itu masin?
…. Ikan apakah yang banyak sekali di lautan?
….. Kenapa ikan makan di dalam air?
…. Kenapa ikan tidak boleh tidur?

...Apakah sebab ikan di laut tak pernah habis?...”

Kalau mahu tahu jawapanya, tanyakan saja pada si Manikam Kalbu, jurubusana nan bijak laksana. Selamat menghayati naskhah indah ini.